„Luoghi della mente” – „Parco Piuma (Gorizia)”


Giorgia Vian (ACSAF group)

W³ochy – Italia

Mediolan – Milano


2008 M.A in teaching method from the Fine Art Academy of Brera, Milano. Dissertation title:
„Perception projection interpretation. Three hints on the relationship for an inquiry of the relationship between the art work and the observer”.
2007 B.A. in painting from the Fine Art Academy of Brera, Milano. Course of Garutti. Dissertation title:
„Discussion on the possibility of the existence of Art. Observation on the specific condition of the venture of the Stecca in the area of „Isola” in Milan”. Tutor: Riccardo Notte
2005-2006 I live in Paris thanks to a scholarship with l’Ecole Nationale Supérieure Des Beaux-Arts, ENSBA, Paris. I attend Cloude Closky’s atelier.

SELECTED EXHIBITIONS
2018-19 World Pin Hole Day Exhibition in Massa Marittima, curated by Cesare Bossi
2018 Ein Stuck weit Pionier, Walter Steiner, exhhibition curated by Ursula Badrutt, Lichtensteig, CH
2015 Open Studio in AAF Festival, Milan
2014 Il pomeriggio di un fauno, solo show, Galleria Placentia, Piacenza, IT
2014 Salon/Saloon, group show, Greenhouse, Berlin, GER
2013 Tra il dire e il fare, group show, Galleria Placentia, Piacenza, IT
2013 Dietro lo specchio, collettiva a cura di N. Cecchelli, P. Appiani, Piombino, IT
2012 Speech about my works at V.I.R., Calling Upon, a project by Simone Frangi, Alessandro Di Pietro, Pietro Spoto, Via Farini, Milan, IT
2012 Conference titled: „W h e n t h e b a r doesn’t fall. The pole vault and the artwork’s training” in Collecting people/Apnea, at Progetto Diogene C.so Regio Parco, Torino, IT
2011 Artists Residence in Sardinia, curated by Mauro Cossu
2011 Participation 54° Venice Biennal, The state of the art, Academy pavillon.
2011 Cose Cosmiche 1-2, at Artra Gallery, Milan
Selected for the group show of 55° Termoli Prize, Termoli
AWARDS
2008 Prize - acquisition Mauro Morra, Genoa,


I took these pictures when I felt good place to stay and to think. I felt them as mental place (situ). I use pinhole technique because of extreme wide angle of view and the absence of sferical corrections. It is more approximate to mental abstraction of reality and It bring the viewer inside the place.